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xqLIGHT

Level 2
OOC SECTION

What is your Minecraft username?: xqLIGHT

What is your time zone?: EST

What is your discord username? (eg @muffincats) sarahxo.

Link all previous applications you made on the server:

Describe your activity on SchoolRP: I think I'm always active on schoolRP, mostly because i find a joy and love for the server. i play nearly everyday and i mostly roleplay with friends and or attend school. i made alot of friends along the way and there all fun and very different experience. all and all i really enjoy srp it really is a blast and a joy to play, and I've been playing close to 2 years and it never gets old!

Describe your roleplay experience with SchoolRP and other roleplay networks in general:i have been on schoolRP for close to 2 years now. yesterday i went to rp for a while and had fun. and my schoolRP experience is very fun and packed full of adventure i really like the experience and the people in schoolRP. i also love the job positions Roleplay they seem to really like there job, i really like how they detailRP and care for there job. and i really like you actually have to apply for the job its like a job application in real life, all and all i really enjoy srp thank you for the fun times.

What are your current roles on SchoolRP: i have no roles

What is the subject you want to teach?: Music

TRIVIA SECTION

What is your motivation for becoming a professor?:

My motivation for becoming a professor of music is deeply rooted in both passion and purpose. Music has been a lifelong source of meaning for me—not only as an art form but as a language that connects people across cultures, generations, and experiences. As a performer and scholar, I've experienced firsthand the transformative power of music, and I want to guide others to discover and develop their own musical voices.


Teaching at the university level offers a unique opportunity to combine performance, theory, history, and pedagogy in a way that shapes the next generation of musicians, educators, and thinkers. I’m inspired by the challenge of helping students grow—not only technically, but also artistically and intellectually. Whether it’s mentoring a young composer, exploring a historical repertoire with a class, or collaborating in ensemble settings, I find deep fulfillment in fostering creativity, critical thinking, and a lifelong love of music.

Work out two interactive classes you will host if accepted:

1.

From Score to Stage: Collaborative Performance Workshop”​


Objective:
Bridge the gap between musical interpretation and live performance through collaborative rehearsal, discussion, and live staging.


Interactive Features:


  • Hands-on Performance Labs: Students bring in solo or ensemble works and perform them for peer and instructor feedback in a masterclass-style format.
  • Peer Critiques: Students rotate roles between performer, coach, and audience, learning to give constructive, artistic feedback.
  • Guest Artist Q&As: Professional musicians or conductors are invited to critique sessions and discuss their own rehearsal/interpretation processes.
  • Recording & Reflection: Each student records performances throughout the semester and writes short reflections on their artistic growth and interpretive decisions.

Outcome:
Students leave with a polished performance portfolio and a stronger sense of musical identity, communication, and collaboration.



2.

“The Music Lab: Deconstructing Sound, Style, and Innovation”


Objective:
Explore how music is built—technically, historically, and emotionally—by deconstructing iconic works and experimenting with creative tools.


Interactive Features:


  • Music Dissection Sessions: ****yze live or recorded pieces across genres (classical, jazz, film scores, pop) by isolating melody, harmony, rhythm, and production techniques.
  • Creative Challenges: Each week, students complete a short creative task (e.g., write an 8-bar melody in a medieval mode, re-harmonize a pop song, improvise over a jazz progression).
  • Tech Integration: Use digital tools like notation software (Sibelius/MuseScore), DAWs (Logic/FL Studio), or sampling apps to experiment with sound.
  • Collaborative Projects: Students pair up to create mini compositions or arrangements that are presented and critiqued in class.

Outcome:
Students develop both ****ytical and creative skills, becoming more versatile musicians and more confident creators.

Work out a field trip (meaning a class outside school grounds) you will host if accepted:

Field Trip Proposal for Katakura High School: “Exploring Traditional and Modern Japanese Music in Tokyo”




Title:


“Soundscapes of Japan: A Journey Through Traditional and Contemporary Music”




Target Class:


Katakura High School Music Students (Year 2 or 3)




Location:


Tokyo – National Theatre of Japan & Yamaha Ginza Studio




Trip Duration:


One full day (8:00 AM – 6:30 PM)




Objectives:


  • To expose students to the richness of Japan’s traditional musical heritage.
  • To introduce students to modern music technology and instrument craftsmanship.
  • To connect music education to cultural appreciation and career exploration.
  • Workshop: Hands-on experience with traditional instruments such as koto, shamisen, and taiko, led by professional musicians.
  • Mini Performance: Watch a short live demonstration of gagaku or kabuki music with explanation from a cultural expert.



2. Lunch Break (12:00 PM – 1:00 PM)


Picnic-style lunch or group dining at a nearby restaurant




3. Yamaha Ginza Studio & Showroom (Afternoon – 1:30 PM to 4:00 PM)

  • Hands-On Activity: Try composing a short jingle or beat using Yamaha’s music production software or synthesizers.



4. Reflection & Wrap-Up (4:00 PM – 5:00 PM)


Group debrief in a nearby park or café


  • Discussion Questions:
    • What surprised you about traditional music?
    • How did the use of technology in modern music inspire you?
    • What careers in music became more clear to you after this trip?

SCENARIO SECTION

Your character would encounter a group of college jocks surrounding a bobcat jock, what would your character do?
He would ask them is there an issue here, if there is no issue i will still tell them to part ways, if there is an issue i would pull one of the people who was there a witnessed it all and asked them what happened and then proceed to pull the antagonist aside and see if the story matches up with the other person, if they don't match i would ask the remaining people and try to come up with a solution

Your character would be supervising detention, one of the students constantly disturbs by asking stupid questions, what would your character do? He would tell them to stop disturbing the people and the professor he then would tell him/her to not ask stupid questions unless you're hand is raised. if the individual continues i would extend the detention if it comes to that


Your character would be hosting a class, and a group of cheerleaders keeps on playing songs on the phone and calling out other students in the class, what would your character do? He would tell them phones off and stop talking. if they proceed to keep doing so i would kindly separate them, if they continue after that i would give them detention.

Your character would be walking on the school perimeter and encounter a fight between a couple of students, your character tried to break it up but it didn't help, what would your character do? He would contact more school faculty members for further assistance i the fight escalates before backup arrives he would try to defuse the situation the best he can. and when backup arrives he would explain what was going on between the Faculty members. And would proceed to hand the two people who started the fight a detention slip

CHARACTER KNOWLEDGE

Tell us everything you know about the character you will be playing in a few paragraphs. What does they look like? What makes them unique and different? What is their outlook on Students? What about the other teachers? What is their personality like? What is their plan for the future?

[Characters description]

Satoshi F. Takamada is a thoughtful and driven young man known for his quiet intensity and passion for music. Born and raised in Kanagawa, Japan, Satoshi grew up in a household where traditional values and creative expression were equally important. He began learning piano at the age of six, and over time expanded his talents to include guitar, composition, and even digital music production. His love for sound is matched by a deep curiosity about how music connects people emotionally and culturally, often saying that "music is the only language everyone speaks."


In school, Satoshi is respected not just for his musical abilities but also for his leadership and discipline. He often volunteers to help organize performances, mentor younger students, and even compose original pieces for school events. While he tends to keep a low profile, those who know him well describe him as reliable, sincere, and incredibly focused when it comes to achieving his goals. He has a strong sense of purpose and often spends hours refining his craft—whether writing a new arrangement or studying classical theory.


Outside of music, Satoshi enjoys photography, quiet walks through nature, and reading historical fiction. These hobbies reflect his introspective nature and love for detail. Though soft-spoken, he carries a quiet confidence that leaves a lasting impression. Satoshi dreams of one day becoming a music educator or composer, hoping to inspire future generations the same way music inspired him. To those around him, he's not just a talented musician—he's a thoughtful individual with a clear vision, strong values, and a heart fully committed to his art.

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[What he looks like]​

Satoshi F. Takamada has a calm and composed appearance that reflects his thoughtful personality. Standing at around 175 cm (5'9"), he has a lean build—not overly muscular, but toned from years of carrying instruments and walking everywhere with a backpack full of sheet music and notebooks. His posture is upright yet relaxed, with a quiet confidence in the way he carries himself.


His hair is thick, straight, and jet black, usually kept slightly long and casually swept to the side, sometimes falling over his eyes when he’s focused on playing or reading. His eyes are deep brown—sharp, observant, and often described as “introspective,” as if he’s always thinking a few steps ahead or hearing music no one else can. He wears simple, clean clothes—button-up shirts, dark jeans, and soft-soled sneakers—but always carries a satchel or backpack, usually worn and covered in music pins or patches.


Satoshi’s style is subtle and minimalist, but there’s always something unique: a vintage wristwatch from his grandfather, a pendant with a music note, or a small sketchbook tucked into his jacket pocket. When he speaks, his voice is soft and low, but clear—every word feels considered. His overall look reflects who he is: quietly striking, deeply focused, and unmistakably himself.

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[What makes Satoshi unique?]​

What makes Satoshi F. Takamada unique is the way he blends quiet determination with deep creativity. Unlike many who seek the spotlight, Satoshi lets his work speak for him—whether it's a beautifully written composition, a perfectly timed performance, or a moment of genuine mentorship with a fellow student. His strength lies not in loudness, but in depth—he listens more than he talks, observes before acting, and always strives for meaning in what he creates.


Satoshi also stands out because of his ability to bridge tradition and innovation. He has a deep respect for classical Japanese and Western music, yet he's not afraid to experiment with modern styles and technology, producing music that feels both rooted and fresh. This balance gives him a distinct voice in a world where many artists lean heavily in one direction.


Lastly, Satoshi’s uniqueness comes from his character. He’s humble, thoughtful, and purpose-driven, often prioritizing growth, connection, and authenticity over recognition. In a fast-paced world, Satoshi’s steady, reflective nature makes him not just a talented musician—but someone people trust, admire, and quietly follow.

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[Outlook on students]
Satoshi F. Takamada’s outlook on students is shaped by empathy, high expectations, and a deep belief in personal growth through discipline and creativity.


He sees students not just as learners, but as individuals with untapped potential, each carrying their own voice, rhythm, and story. Satoshi believes that every student—regardless of skill level—deserves to be taken seriously, and he approaches teaching with patience and respect. He doesn’t believe in forcing talent; instead, he nurtures it quietly, helping students discover their own motivation and artistic identity.


Satoshi values effort over perfection. He encourages students to make mistakes, ask questions, and push themselves beyond what feels comfortable. To him, music education isn't just about technique or theory—it's about learning how to express something honest, even vulnerable. He often says, “A wrong note played with intention is more powerful than a right one played without meaning.”


Ultimately, Satoshi sees his role as a guide—not someone who hands out answers, but someone who helps students authentically. He leads with calm authority, always aiming to inspire rather than impress.
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[Outlooks on Teachers]
atoshi F. Takamada holds a deep respect and appreciation for his fellow teachers, viewing them as both collaborators and sources of inspiration. He believes that each teacher brings a unique perspective and strength to the educational environment, and he values the diversity of teaching styles and expertise that enrich the students’ learning experience.


He admires teachers who are passionate, patient, and genuinely invested in their students’ growth, seeing them as role models not just for the students but for himself as well. Satoshi is humble enough to acknowledge that he can learn from every colleague—whether it’s a new teaching method, a fresh musical insight, or simply a different way to connect with students.


At the same time, Satoshi is thoughtful and diplomatic, understanding that teaching can be challenging and that every educator faces pressures and struggles. He approaches disagreements or differences in opinion with openness and respect, preferring dialogue and collaboration over conflict.


Ultimately, Satoshi sees the faculty as a community working toward a common goal: nurturing the next generation of musicians and thinkers. He believes that when teachers support each other, students benefit the most.
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[Personality]
Satoshi F. Takamada’s personality is a balanced blend of calm introspection, quiet confidence, and gentle kindness. He’s naturally thoughtful and reflective, often taking time to observe before speaking, which gives him an aura of wisdom beyond his years. People around him notice his steady presence—he doesn’t rush or react impulsively but approaches challenges with patience and care.


He’s reserved but approachable, preferring meaningful conversations over small talk. Satoshi is deeply empathetic, always tuned in to the emotions and needs of others, which makes him a trusted friend and mentor. Despite his quiet nature, he has a strong inner drive and determination, especially when it comes to music and personal growth.


Satoshi is also creative and open-minded, willing to explore new ideas and perspectives without losing sight of his core values. His humility means he’s never boastful, but he takes pride in his work and in helping others succeed. Overall, Satoshi’s personality is defined by a harmonious blend of thoughtfulness, resilience, and genuine warmth, making him both a reliable leader and a compassionate companion.
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- [My plan for the future]
Satoshi F. Takamada’s plan for the future is rooted in a vision of combining his passion for music with meaningful teaching and creative exploration. He aspires to become a respected music educator, someone who not only imparts technical skills but also inspires students to find their own authentic musical voices. His goal is to teach at a high school or university level where he can mentor young musicians, fostering both their artistry and their personal growth.


Beyond teaching, Satoshi dreams of composing original music that bridges traditional Japanese sounds with modern influences, creating works that resonate across cultures and generations. He hopes to contribute to the evolving landscape of music by blending heritage with innovation, helping keep traditional music alive while pushing boundaries creatively.


In the longer term, Satoshi envisions establishing a community or program that supports young artists—not just through lessons, but by providing opportunities for collaboration, performance, and cultural exchange. He believes strongly in music’s power to connect people and wants to dedicate his life to nurturing that connection both inside and outside the classroom.
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Describe how your character ended up becoming a teacher and their previous life. It is optional to include earlier life but recommended.
Make sure this is over 100 words.


IN-CHARACTER SECTION
(Pretend your character is filling this out, not you, replace the underscores [ _ ] with your answers)


1 - PERSONAL DATA

Full Name:
Satoshi F. Takamada

Title (Mr, Mrs, Miss): Mr

Given Name(s): Satoshi , Jack

Preferred Name: Satoshi

Age: 29

Gender & pronouns: He/him & Male

Religious Denomination:
Satoshi F. Takamada practices a blend of Shinto and Buddhist beliefs, reflecting a deep respect for nature, harmony, and mindfulness. This spiritual outlook shapes his calm and thoughtful personality, grounding him in traditions that value balance and introspection. While he isn’t rigidly observant, Satoshi often visits shrines and engages in meditation, finding inspiration and peace that influence both his music and his teaching.


In addition to his native Japanese, Satoshi is fluent in Russian, a skill he developed through dedicated study and personal interest in Russian literature and music. This language ability allows him to explore a rich cultural heritage, communicate with a diverse range of musicians and scholars, and broaden his artistic horizons. His knowledge of Russian also reflects his open-mindedness and desire to connect different musical traditions across borders.

Marital Status: Satoshi F. Takamada is currently single. He has been deeply focused on his studies, music, and teaching aspirations, which have taken much of his time and energy. While he values close friendships and meaningful connections, he prefers to take his time when it comes to romantic relationships, believing that personal growth and clarity are important foundations before committing to a partner. His calm and thoughtful nature means he approaches relationships with sincerity and care, and when the right person comes along, he hopes to build a relationship based on mutual respect, shared passions, and understanding.

Nationality: Satoshi F. Takamada’s nationality is Japanese. Although he lives in Japan and embraces Japanese culture and traditions, he is fluent in Russian—either because of family heritage, personal study, or academic interest—which adds an international dimension to his identity. His bilingual ability allows him to connect with Russian-speaking communities and explore diverse musical and cultural influences while maintaining his roots in Japan.

Current Location: Japan

SECTION 2: Academic Details

Teaching Experience (# of years):
2

Working Experience (# of years): 3

Academic Degree: Satoshi F. Takamada holds a Bachelor’s degree in Music Education from a prestigious Japanese university, where he specialized in both performance and music theory. During his studies, he also pursued coursework in Russian language and literature, which deepened his appreciation for Russian culture and music. His academic training combined rigorous classical techniques with opportunities to explore contemporary composition and music technology, preparing him well for a career in both teaching and creative work.

Year of Graduation:
October 31st 1995

Major(s): Satoshi’s major is Music Education, with a strong focus on Performance and Composition. Alongside this, he has taken significant coursework in Russian Language and Literature to complement his musical studies and deepen his cultural understanding.

Minors: Satoshi’s minors are Russian Language and Music Technology. The Russian language minor supports his passion for Russian culture and broadens his musical horizons, while the music technology minor equips him with skills in digital composition, recording, and sound production—helping him blend traditional and modern musical styles.

Native Languages:
  • Japanese (his mother tongue and primary language)
  • Russian (also native-level or near-native fluency, possibly due to family background or early immersion)

Other Languages: Speaks fluent in Russian

Preferred Teaching Subject: Music

Extra

Additional notes about your application (if any):
 
Last edited:
Thank you for considering the Professor Faction!
If you ever change your mind, please feel free to re-apply.​
 

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