[OOC INFO ♡]
What is your In-Game-Name (IGN)? Please include ALL your alternative accounts
[NOT APPLYING] cerbalance
[APPLICANT] vangelism (new account)
Either account is fine ^_^ I'm not fussy.
Do you have Discord and a microphone? If so, what is your username?:
@millenniumbabe | Yes, I own a microphone and I’m comfortable using it whenever!
List your timezone and country:
GMT+8 | Malaysia
Fortunately, the server is most active when it’s most convenient for me! Hopefully time-zones won’t pose as an issue ^_^
Describe your activity:
Prior to my short hiatus due to my continuous examinations, I was a consistent and regular player of SRP, my playtime ranged from 4 hours to up to 10 hours. However, as my life got busier and busier, my playtime has decreased to around 3-5 hours upon return.
Unfortunately, I’m still a student so implementing a schedule here may seem slightly… Unreliable as my schedule fluctuates a lot as a result of extracurricular activities, but what I can confidently boast is that I am eager to dedicate and allocate some of my free time to doing what I do best - writing!
Link any significant applications (e.g., Roles/Teams, exclude languages):
[ACCEPTED] D.T Teacher Application
What is your motivation to apply for reporter?:
“No writer tolerates reality” is a phrase my English teacher taught us when we lacked focus, inspiration & motivation to write a piece. That phrase really resonates with me because it's about pushing past the usual stuff and allows my creativity and imagination to drive the narrative. I’m stoked by the chance to explore and create stories that break the mould and contest conventional thinking since I’m one who loves to take on a challenge. Being a reporter would allow me to step into a new territory where my imaginative storytelling skills are tested and displayed as well as offering a fresh perspective and a realistic approach to sharing the latest stuff that happens around Karakura that aren’t normally spoken about.
Other than that, I possess a very disdainful love for editing! I noticed that the majority of the reports made have very pretty edits that resemble that of a newspaper article. Although I specialise in banners, headers and smaller sized edits, I’m looking forward to stepping out of my comfort zone and challenging myself to attempt more detailed and intricate editing styles. I know editing doesn’t quite prove how well one can write but as a graphic designer, it pushes my boundaries and gives me the motivation to push out quality pieces that are pleasing to the eye.
Do you have any experience with writing? What is your relationship with writing?:
I in fact do have a history with writing. It’s played a significant part of my life for many years considering the fact that I am an avid RP enjoyer. My relationship with writing is passionate and always evolving. It may not be the most stable relationship but there’s never been a time where I’ve turned down an opportunity to improve or seek improvement. From a young age, I’ve been drawn to the written word as a means of self-expression, mainly within the creative writing genre. Anything relative to that genre would instantly pique my interest and I wouldn’t stop thinking about it until I start writing it all down and it becomes word vomit to me. Writing has always been my way of exploring ideas and processing experiences, it’s something that challenges me to think deeply, communicate effectively (and efficiently), and continually improve. Each new writing project is a new opportunity for me to refine my skill set and push the boundaries, not only for me, but also for my writing capabilities.
Are you aware of - and will follow - the set of rules provided to you?:
Yes, I have read the rules thoroughly and I promise to abide by them wholeheartedly.
Why should we accept you over others?:
It’d be nice to be taken into the faction because I’m genuinely passionate about storytelling and thrive on bringing unique perspectives to the table. I love diving into new challenges, finding interesting angles, and creating content that actually grabs people’s attention. I’m not applying here to get the job done for fun - I want to make it memorable and fun for everyone involved, both as the interviewer AND for the interviewee. Plus, I’m easy to work with, always open to feedback, and excited to work with others to create something one-of-a-kind. I think what sets me apart is my drive and excitement for the role, and I’m ready to bring that energy into this position.
Another thing that sets me apart is my ability to integrate into various character traits and scenarios, adapting my writing and interactions to enhance the story. I thrive on working with others, in and out of character and am always eager to contribute when working together to form a lasting impression on the community. My attention to detail and commitment to depth ensure that every interaction is meaningful and realistic enough to make it good enough to be posted.
Do you understand you have to stay completely neutral with all reports? (Your report can't have any OOC or IC bias towards a specific group.)
Yes, I completely understand.
Do you trust that you will be able to stay active and complete the monthly quota?:
It’s a little hard to stay offline if I do get this position and now that I have plenty of free time on my hands, I can proudly say yes, I am able to.
I love interacting with the player base and frankly, having to interview people of different demographics, exploring the vast range of characters that exists in Karakura is what excites me the most!
Summarise what you imagine work as a reporter is:
I imagine work as a reporter involves constantly staying on your tippy-toes, chasing leads or news-breaking stories and capturing stories that matter. It’s pretty much about being curious, asking the right questions at the right time, and piecing together information to give people a clear and engaging picture of what’s happening around them. There’s a mix of fast-paced action when big stories break, and quieter moments spent interviewing to get the full story. It’s not just about reporting facts for me, but also building contrasting narratives that connect with readers and make them think, wonder and want more. Overall, it's challenging and can be super rewarding!
What is your In-Game-Name (IGN)? Please include ALL your alternative accounts
[NOT APPLYING] cerbalance
[APPLICANT] vangelism (new account)
Either account is fine ^_^ I'm not fussy.
Do you have Discord and a microphone? If so, what is your username?:
@millenniumbabe | Yes, I own a microphone and I’m comfortable using it whenever!
List your timezone and country:
GMT+8 | Malaysia
Fortunately, the server is most active when it’s most convenient for me! Hopefully time-zones won’t pose as an issue ^_^
Describe your activity:
Prior to my short hiatus due to my continuous examinations, I was a consistent and regular player of SRP, my playtime ranged from 4 hours to up to 10 hours. However, as my life got busier and busier, my playtime has decreased to around 3-5 hours upon return.
Unfortunately, I’m still a student so implementing a schedule here may seem slightly… Unreliable as my schedule fluctuates a lot as a result of extracurricular activities, but what I can confidently boast is that I am eager to dedicate and allocate some of my free time to doing what I do best - writing!
Link any significant applications (e.g., Roles/Teams, exclude languages):
[ACCEPTED] D.T Teacher Application
What is your motivation to apply for reporter?:
“No writer tolerates reality” is a phrase my English teacher taught us when we lacked focus, inspiration & motivation to write a piece. That phrase really resonates with me because it's about pushing past the usual stuff and allows my creativity and imagination to drive the narrative. I’m stoked by the chance to explore and create stories that break the mould and contest conventional thinking since I’m one who loves to take on a challenge. Being a reporter would allow me to step into a new territory where my imaginative storytelling skills are tested and displayed as well as offering a fresh perspective and a realistic approach to sharing the latest stuff that happens around Karakura that aren’t normally spoken about.
Other than that, I possess a very disdainful love for editing! I noticed that the majority of the reports made have very pretty edits that resemble that of a newspaper article. Although I specialise in banners, headers and smaller sized edits, I’m looking forward to stepping out of my comfort zone and challenging myself to attempt more detailed and intricate editing styles. I know editing doesn’t quite prove how well one can write but as a graphic designer, it pushes my boundaries and gives me the motivation to push out quality pieces that are pleasing to the eye.
Do you have any experience with writing? What is your relationship with writing?:
I in fact do have a history with writing. It’s played a significant part of my life for many years considering the fact that I am an avid RP enjoyer. My relationship with writing is passionate and always evolving. It may not be the most stable relationship but there’s never been a time where I’ve turned down an opportunity to improve or seek improvement. From a young age, I’ve been drawn to the written word as a means of self-expression, mainly within the creative writing genre. Anything relative to that genre would instantly pique my interest and I wouldn’t stop thinking about it until I start writing it all down and it becomes word vomit to me. Writing has always been my way of exploring ideas and processing experiences, it’s something that challenges me to think deeply, communicate effectively (and efficiently), and continually improve. Each new writing project is a new opportunity for me to refine my skill set and push the boundaries, not only for me, but also for my writing capabilities.
Are you aware of - and will follow - the set of rules provided to you?:
Yes, I have read the rules thoroughly and I promise to abide by them wholeheartedly.
Why should we accept you over others?:
It’d be nice to be taken into the faction because I’m genuinely passionate about storytelling and thrive on bringing unique perspectives to the table. I love diving into new challenges, finding interesting angles, and creating content that actually grabs people’s attention. I’m not applying here to get the job done for fun - I want to make it memorable and fun for everyone involved, both as the interviewer AND for the interviewee. Plus, I’m easy to work with, always open to feedback, and excited to work with others to create something one-of-a-kind. I think what sets me apart is my drive and excitement for the role, and I’m ready to bring that energy into this position.
Another thing that sets me apart is my ability to integrate into various character traits and scenarios, adapting my writing and interactions to enhance the story. I thrive on working with others, in and out of character and am always eager to contribute when working together to form a lasting impression on the community. My attention to detail and commitment to depth ensure that every interaction is meaningful and realistic enough to make it good enough to be posted.
Do you understand you have to stay completely neutral with all reports? (Your report can't have any OOC or IC bias towards a specific group.)
Yes, I completely understand.
Do you trust that you will be able to stay active and complete the monthly quota?:
It’s a little hard to stay offline if I do get this position and now that I have plenty of free time on my hands, I can proudly say yes, I am able to.
I love interacting with the player base and frankly, having to interview people of different demographics, exploring the vast range of characters that exists in Karakura is what excites me the most!
Summarise what you imagine work as a reporter is:
I imagine work as a reporter involves constantly staying on your tippy-toes, chasing leads or news-breaking stories and capturing stories that matter. It’s pretty much about being curious, asking the right questions at the right time, and piecing together information to give people a clear and engaging picture of what’s happening around them. There’s a mix of fast-paced action when big stories break, and quieter moments spent interviewing to get the full story. It’s not just about reporting facts for me, but also building contrasting narratives that connect with readers and make them think, wonder and want more. Overall, it's challenging and can be super rewarding!
[IC INFO ♡]
Treat this section like it is your own character answering it
Full Name:
She clears her throat as she lowers herself onto her seat, sitting up, her posture, relaxed. As she gets comfortable, a bubbly chuckle lights up before speaking,
“Klein. Marceline Leighton Klein. It’s truly, utterly, a pleasure to meet you.”
The smoky, deep voice fills the room.
Preferred Name/Nickname and Title (e.g., Ms, Mr)
She tilts her head slightly, a small smile playing on her lips,
“Most people just call me Celine. It kinda stuck after a while, and honestly, I’ve grown to quite like it.”
She explained before lifting her right hand up, waving it around. It doesn’t appear to have a ring around it,
“Ahh, my marital status? I am a single woman, proud and by choice. No complaints here, ha ha.”
She flicks her hand in dismissal.
Current Age (25+):
She leans back against the chair,
“Well, I am a 26 year old woman. Old enough to know better, but young enough to do it anyway, right?”
Past job/work experience:
She clasps her hands together, recalling her younger days,
“I used to freelance as an emcee, actually. You know, hyping up crowds, keeping the energy alive. It was all about reading the room and knowing how to keep people entertained for long periods of time. Honestly, it was one of the most fun gigs I’ve ever had.”
Degree/qualifications:
She nods upon hearing the question, as if she expected a question like this,
“I hold a master’s in journalism and communications, which has given me a pretty solid foundation. My experience kind of ranges from in-depth reporting to strategic communications which allows me to ensure the message connects with the audience in terms of what they wanna hear, you know?”
Nationality and born location:
“I’m American, from the land of freedom itself, The United States. I resided in New York prior to relocating here to pursue my dreams. Daunting, I know. But when will I ever get an opportunity like this again?”
She explained in a playful manner but her tone remained unchanged.
Phone Number: 030-
She looks down at her left palm, a number written down on it. Seems like she hasn’t memorised her new phone number,
“I’m terribly sorry - it’s 020-9238”
How would you describe yourself in under 150 words?:
She pauses, then thinks for a short moment.
“Hmm, well honestly, I’m the kind of person who’s always looking for the next big story - even if it’s just an odd detail in everyday life. With my education, I’ve learned to hone my ability to tell stories that stick. I thrive on deadlines, tight turnarounds, and the rush of chasing a story. But I’m also all about making sure the story isn’t just accurate, but actually interesting enough to grab an audience’s attention. I’m pretty quick on my feet, always ready to adapt when things go sideways. At the same time, I bring a youthful yet fresh perspective to everything I work on. I think what sets me apart is my ability to balance the serious stuff with a sense of wit and personality, because let’s be real - stories should be as engaging as they are informative, yes?”
What are you interested in writing about? How will you achieve this, and would you consider going out of your comfort zone?:
She rests her hands on the table in front of her,
“I’m interested in writing… Pretty much everything. Hard news gives me that rush of staying on top of things, while feature covers let me explore stories in more depth, which I absolutely love. Investigative pieces? Those are my favourite - they let me dig into the details and really get to the heart of an issue. But I’m definitely not afraid to step out of my comfort zone. I actually think that’s where the best stories come from, pushing myself to try new angles or tackle topics I might not be familiar with. That’s how you grow as a writer and I’m all for it.”
What are your expectations for the job?:
“I’m really looking for a job where I can get my hands dirty with a variety of stories and keep things fresh and exciting. I hope to find a place where I can learn from others, share my own ideas, and work in a supportive team environment. I’m really eager to tackle new challenges, step out of my comfort zone, and grow both professionally and personally. Basically, I want a role where I can be fully invested and make a meaningful contribution to Karakura while having a bit of fun along the way.”
Do you have a criminal record? If so, list the crimes below:
She cringes before speaking,
“Oh, god no. I stray from crime-related activities.”
She lets out a deep sigh, shaking her head.
Fluent Languages (Underline your native):
“I never had much diversity in my life, so, only English and Japanese. Only for the time being though.”
[PROMPTS ♡]
You will have to write two reports about a topic of your choice. Here we can see how pronounced your writing is and how creative you are. Use your own formatting and your own report idea. (If you're found plagiarizing an actual report or another applicant, you will be denied.)
[#1 | GENERAL REPORT]
To preface, I haven’t been on SRP for very long so I’m not sure if street art even existed back then…
The End Of Street Art In Karakura?
By Marceline Klein, Journalism & Communications
Karakura’s streets have long served as a canvas for the city’s most daring voices. From alleyways to the multitude of apartment buildings, the vibrant, rebellious art of graffiti artists has told stories no billboard or ad campaign could hope to capture. But in the past several momths, the once-thriving street art scene has gone eerily quiet. Where the city was once aflame with murals and taglines, now lies a vacancy, both in artistry and in the artists themselves.
Theories behind the halt of street art are numerous. Some believe it’s due to increased police efforts to curb street art. Recent city ordinances have tightened enforcement with harsher penalties for graffiti and an increase in CCTV coverage around hotspots known for murals. According to the Karakura Police Department, this crackdown is part of an initiative to reduce vandalism and “clean up the city.” However, the question remains: why stop entirely? Arrests have been few and far between, yet the city’s street art scene has fallen silent, and many of its creators are missing from both the streets and their social circles.
Local artist “Fish”, who agreed to speak under the condition of anonymity, commented on the situation: “Yeah, we’ve always had cops on our backs, that’s nothing new. But something’s changed. It’s not just about getting caught anymore. People are going missing - just gone, without a trace.” Fish went on to explain how fellow artists have stopped communicating, their phones disconnected, and meeting spots have been abandoned. There’s a growing fear that this is more than just a crackdown by law enforcement.
The silence is deafening. Karakura’s street art was never just art. It was a living, breathing pulse of the city. A rebellious spirit, a protest and a celebration of life. The walls spoke of injustice, of hope, even of rage.. With their silence comes a hole that not only dulls down the city’s vibrancy but raises questions about what’s happening to the voices that once filled the streets with colour, and life.
If these artists are truly being silenced, whether by the law, by gangs, or something more sinister, what does that say about the state of freedom in Karakura? What happens to a city when its most daring voices are snuffed out? And more importantly, what can be done to stop this before the last of Karakura’s colours fade into… Nothingness?
Stay tuned to the next updates that follow as we continue to investigate the decline and disappearance of street artists.
[Insert cool ad here…]
To preface, I haven’t been on SRP for very long so I’m not sure if street art even existed back then…
The End Of Street Art In Karakura?
By Marceline Klein, Journalism & Communications
Karakura’s streets have long served as a canvas for the city’s most daring voices. From alleyways to the multitude of apartment buildings, the vibrant, rebellious art of graffiti artists has told stories no billboard or ad campaign could hope to capture. But in the past several momths, the once-thriving street art scene has gone eerily quiet. Where the city was once aflame with murals and taglines, now lies a vacancy, both in artistry and in the artists themselves.
Theories behind the halt of street art are numerous. Some believe it’s due to increased police efforts to curb street art. Recent city ordinances have tightened enforcement with harsher penalties for graffiti and an increase in CCTV coverage around hotspots known for murals. According to the Karakura Police Department, this crackdown is part of an initiative to reduce vandalism and “clean up the city.” However, the question remains: why stop entirely? Arrests have been few and far between, yet the city’s street art scene has fallen silent, and many of its creators are missing from both the streets and their social circles.
Local artist “Fish”, who agreed to speak under the condition of anonymity, commented on the situation: “Yeah, we’ve always had cops on our backs, that’s nothing new. But something’s changed. It’s not just about getting caught anymore. People are going missing - just gone, without a trace.” Fish went on to explain how fellow artists have stopped communicating, their phones disconnected, and meeting spots have been abandoned. There’s a growing fear that this is more than just a crackdown by law enforcement.
The silence is deafening. Karakura’s street art was never just art. It was a living, breathing pulse of the city. A rebellious spirit, a protest and a celebration of life. The walls spoke of injustice, of hope, even of rage.. With their silence comes a hole that not only dulls down the city’s vibrancy but raises questions about what’s happening to the voices that once filled the streets with colour, and life.
If these artists are truly being silenced, whether by the law, by gangs, or something more sinister, what does that say about the state of freedom in Karakura? What happens to a city when its most daring voices are snuffed out? And more importantly, what can be done to stop this before the last of Karakura’s colours fade into… Nothingness?
Stay tuned to the next updates that follow as we continue to investigate the decline and disappearance of street artists.
[Insert cool ad here…]
[#2 | INTERVIEW]
[!] A faint hum of the recording device fills the room [!]
“Testing… testing… Alright, we’re all set!”
Celine says before softly clearing her throat.
[TANAKA] I’m glad you asked! Growing up, I’ve always been fascinated by the art my grandparents passed down to me - pottery and textile work that they learned from their parents. But as I grew up, I also felt disconnected from it… Like it was something out of the past that didn’t have a place in our world now. That’s when I realised that if I felt that way, others probably did too. I wanted to reintroduce these crafts to the younger generation in a way that felt relevant to our lives.”
[CELINE] “Relevance... That’s something people don’t think about much when it comes to traditions, huh? They assume things are timeless, but the truth is, they need to evolve. What were some of the hardest things about finding that balance? You know, keeping things authentic while also making it modern?”
[TANAKA] “It was extremely tricky. There were moments where I questioned myself, wondering if I was straying too far from tradition. But then, I realised that the key was respecting the technique while giving myself freedom in the designs. It’s all about maintaining the soul, even if the body changes. And, honestly? The older generations were the hardest to convince.”
[CELINE] “Oh, I can imagine. Must’ve been a riot explaining your neon vases to your grandma.”
[TANAKA] “Exactly! But over time, even she came around! It’s funny now she’s one of my biggest supporters now. She’ll even offer suggestions, like incorporating traditional patterns in the more modern designs. I think it’s important for people to see that tradition and modernity aren’t opposites. They can complement each other. Like, seriously, my pieces are living proof, haha!”
[CELINE] “I couldn’t agree with you more. Speaking of complementing each other, Karakura is known for being slightly fast-paced, always moving forward. Do you think your work fits into that lifestyle, or are you deliberately pushing against it?”
[TANAKA] “It’s a little of both. On one hand, the slow, methodical process of crafting something by hand is definitely a counter to the fast pace of city life. But on the other hand, I think people here crave that balance. My work gives them a piece of something grounded, something that takes time and care - a remedy to the rush. And ironically, that makes it more relevant to the fast pace of the city.”
[CELINE] “So you’re giving Karakura a chance to slow down. Interesting… Do you think this type of craft has a future in a world that’s increasingly digital? Cell-phones, laptops and such?”
[TANAKA] “I believe so. We’re moving into an era where people are starting to value authenticity again! They’re tired of mass-produced products. Handmade goods have a connection to the past and to the maker, like myself. I think that’s something people will always be drawn to, no matter how digital our lives become.”
[CELINE] “Stories… Stories. That’s what it’s all about, right? You’re telling a story with your work, one that connects and teaches generations. What advice would you give to other young artists who want to do the same but feel stuck between tradition and modernity?”
[TANAKA] “My advice would be to respect where you come from, but don’t be afraid to add your own voice. Tradition doesn’t mean replicating the past; it means carrying its soul into the present. Be fearless in your creativity, but remember the roots that ground you.”
[CELINE] “Well, you’ve certainly given me something to think about. Thank you for your time, Ms. Tanaka. I’m sure the people of Karakura will appreciate hearing more about those gifted hands of yours.”
[TANAKA] “Thank you too, Celine. I hope so too!”
[!] An audible click can be heard before the tape goes silent. [!]
[EXTRAS]
I apologise in advance if I've made any grammar/spelling mistakes throughout my application TT
And most of all, thank you for taking the time to read through! ♡
I apologise in advance if I've made any grammar/spelling mistakes throughout my application TT
And most of all, thank you for taking the time to read through! ♡