Makar.Nataka
Level 4
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Jan Kims Art Portfolio
- Thread starter ErikFinster
- Start date
I love cooperative creative projects. Here are a few I worked on:
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| Missing Stars - a visual novel that aims to depict mental disorders and the people who live with them in a realistic, but sensitive and respectful light. I was involved in early art production - sprites and promotional art. Also produced some spicy fanart. | Tristoy - a story-driven 2D co-op platformer designed from the ground up exclusively for two player co-operative gaming enjoyment! I was responsible for localization, narrative design, dialog, some UI art, and internal project management. | Zistopia - The dystopian Zootopia Fancomic. I helped with layouts and visual pacing of some of the later contributions. I loved the theme and I'm still friends with the original story-writer. I still adore this one to this day! |
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| Momo & Popo - a webcomic with "blistering action, sizzling comedy, and dogs." Or something like that. I'm the co-creator and co-writer. This is one of my favorite projects of all time. Had 50.000 followers on Instagram once. Was fun! Still love it! | Dieselkrieg - a 6mm Fantasy Dieselpunk Miniature Wargame. A new twist of fantasy battle tabletop. I've written lore, did worldbuilding, concept art, and I still dig the idea very much. Still hope to get some more playtesting done! | Das Schwarze Auge - the original German answer to Dungeons & Dragons, the tabletop pen-and-paper rpg set in Aventurien. I've did maps and illustrations and had quite some fun working with the publisher. Even though it paid very little, haha! |
earthtogab
Level 6
Holy hell, I love how diverse in style your art is. So cool man.
Thank you. Participation in a variety of projects does incentivise the development of a broad range of stylistic approaches. As an artist, you can either develop a very specific portfolio and aim to market that specific look - or you can adapt and cater to all kinds of needs. I've been comfortable with adapting (within my given skillset). I never really had great motivation in developing a strong 3D competence - probably nobody ever needed me to. In 2017 I was suddenly tasked with working with vector graphics and now I'm much more comfortable working with vector art. It's all a game of necessity and incentive.
STOP I LITERALLY CACKLED LMFAO
Here a little abstract expressionism for a change.
It's one part post-World War II era nostalgia,
and another part recycling a canvas for convenience.
Oil on canvas, mostly Krappdunkel/madder deep/garance foncé
It's one part post-World War II era nostalgia,
and another part recycling a canvas for convenience.
Oil on canvas, mostly Krappdunkel/madder deep/garance foncé